Mina Loy
By: Thurston Moore

Written by: Thurston Moore

Versions:
  1. Mina Loy (4:02)
    Available on Demolished Thoughts.
    Credits
    Recorded at: The Library
    Thurston Moore: Guitar (Acoustic), Vocals
    Beck Hansen: Keyboard / Synthesizer, Producer
    Darrell Thorp: Mix
    Joey Waronker: Percussion
    Samara Lubelski: Violin
 
Lyrics:
Mina Loy [Version (a)]:

Found a diamond in the gutter
On an early morning freeze
In your mouth it turns to water
Onyx eyes swallow me

I don't care what it takes
All he wants is you to love him
Without shame
Without shame
Without shame
Without shame

Found a diamond in the gutter
On an early morning freeze
In your mouth it turns to water
Onyx eyes swallow me

I don't care what it takes
All she wants is you to love her
Without shame
Without shame
Without shame
Without shame
Without shame
Without shame
Without shame
Without shame
Without shame
 
The Song:

Thurston Moore's 2011 solo album, Demolished Thoughts, was produced by Beck. It was recorded in Beck's home studio, which is called The Library. Beck is also credited on "additional arrangments," and playing the synths, some bass, and background vocals on the album. Beck's current rhythm section, Joey Waronker and Bram Inscore, also play throughout the record.

"Mina Loy" is the seventh track on Demolished Thoughts. Thurston Moore wrote a less-than-serious track-by-track guide, and this is what he wrote about "Mina Loy":

On day seven I walked into Beck’s studio and he had already covered the place with posters of radical women poets. It was perfect and I took my blindfold out of my guitar case and tied it around my eyes and sat down and wrote a song about the onyx eyes of “Mina Loy”, the amazing modernist, surrealist, futurist writer who wrote the most beautiful love songs and made art from light fixtures. In honor, Beck showed me his new broken-lightbulb-mic twisted into a high-impedance socket on his studio ceiling which I could barely only reach by balancing on an unpainted rocking chair Beck had inherited from his grandfather Al. “Why didn’t he paint it?” I asked Beck. He pointed to a small pen line on the chairs back which read: I’ll Get To It.


Like that says, "Mina Loy" is dedicated to a real person. Beck takes the song and infuses much drama to the reading. Beck's production touches to these acoustic songs are such that it is almost impossible to imagine them unadorned.